Bulletin Board
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David Unger is writer and translator, he received Guatemala’s 2014 Miguel Angel Asturias National Literature Prize for lifetime achievement though he writes exclusively in English. His latest novel, The Mastermind, is appearing in seven languages including Spanish, Arabic, Turkish and Italian. Other published novels include The Price of Escape; Para Mi, Eres Divina; Ni chicha, ni limonada; and Life in the Damn Tropics. His short stories and essays have appeared in Guernica Magazine, Review and Playboy Mexico. As translator, he has published 14 titles including The Popol Vuh, Guatemala’s pre-Columbian creation myth and the work of Rigoberta Menchú (Guatemala), Silvia Molina (Mexico), Nicanor Parra (Chile), Teresa Cárdenas (Cuba), Mario Benedetti (Uruguay), among others. He just received a NYSCA grant to retranslate Nobelist Miguel Angel Asturias’s first novel El Señor Presidente and teaches Translation in the MFA Program.
Unger has been a featured writer in book festivals in San Juan, Miami, Los Angeles, Guatemala, Sharjah, Managua, Bogotá, Lima, La Paz, Oaxaca, and Guadalajara.
Emily Raboteau is the author of a novel, The Professor’s Daughter (Henry Holt) and a work of creative nonfiction, Searching for Zion (Grove/Atlantic), named a best book of 2013 by The Huffington Post and The San Francisco Chronicle, a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and winner of a 2014 American Book Award. Her fiction and essays have been widely published and anthologized in Best American Short Stories, The New York Times, The New Yorker, Tin House, Buzzfeed, Literary Hub, The Guardian, Guernica, VQR, The Believer, Salon, Orion and elsewhere. Honors include a Pushcart Prize, The Chicago Tribune’s Nelson Algren Award, and fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, the Lannan Foundation, and the MacDowell Colony.
Marc Palmieri has taught dramatic writing in the MFA program at CCNY since 2010, and Modern and Postmodern Drama, Shakespeare, Dramatic Writing for the stage, TV and Film, Fiction and other courses for the Undergraduate English Department since 2006. He is a full-time core faculty member in the School of Liberal Arts at Mercy College. Credits include: Miramax Films’ Telling You (screenplay), stage plays include Levittown (NY Times Critic’s Pick), The Groundling, Carl The Second and Poor Fellas (all published by Dramatists Play Service). He has published twice in Fiction, and in numerous anthologies for Applause/Limelight Books and Smith & Kraus Inc. His collection of plays for middle schoolers, S(cool) Days, will be published by Brooklyn Publishers in 2020. Marc is a fully vested member of SAG-AFTRA and Actors Equity. He received his B.A. from Wake Forest University and MA/MFA from the City College of New York.
Mark Jay Mirsky is the author of thirteen books, among them five novels and a book of stories and novellas, Thou Worm Jacob, Proceedings of the Rabble, Blue Hill Avenue, The Secret Table, The Red Adam, and Puddingstone. He has also published three critical studies, The Absent Shakespeare, Dante, Eros and Kabbalah. Blue Hill Avenue was listed by the Boston Globe in 2009 as “One of the Essential Books of New England.” His last book A Mother’s Steps is a search for his mother in dreams and photographic albums. The editor of the Diaries in English translation of Robert Musil (Basic Books) and co-editor of Rabbinic Fantasies (Yale University Press) and Volume 1 and 2 of The Jews of Pinsk, 1506-1941 (Stanford University Press) he has been the editor of Fiction since its founding in 1972. Professor Mirsky has taught at Stanford University and Bar Ilan as well as serving first as director of the City College M.A., and then as chairperson of its English Department. He has published in numerous periodicals, the New York Times Sunday Book Review, the Washington Post, Partisan Review, and received a National Endowment for the Humanities fellowship and a New York Foundation for the Arts Award.
Pamela Laskin directs the Poetry Outreach Center at City College. Several of her children’s and poetry books have been published, most recently, RONIT AND JAMIL, a Palestinian/Israeli version of “Romeo and Juliet” in verse published by Harper Collins in 2017. BEA, a picture book, was a finalist for the Katherine Paterson Prize for Children’s Fiction. She teaches children’s writing in the MFA program
Laura Hinton is a poet, literary critic, and editor, as well as an educator. Her poetry books include Ubermutter’s Death Dance and Sisyphus My Love (To Record a Dream in a Bathtub), published by BlazeVox. Her critical books include The Perverse Gaze of Sympathy: Sadomasochistic Sentiments from Clarissa to Rescue 911 (SUNY Press), We Who Love to Be Astonished: Experimental Women’s Writing and Performance Poetics (co-editor) and Jayne Cortez, Adrienne Rich, and the Feminist Superhero: Voice, Vision, Politics and Performance in the U.S. Contemporary Women’s Poetics (editor). Her essays, poet interviews, and reviews have appeared in numerous books and journals including Contemporary Literature, Postmodern Culture, Textual Practice, Women’s Studies, Rain Taxi, Jacket2, Poetry Project Newsletter, and The Journal of the Academy of American Poets, among many others. She often works in hybrid media, and her poetry with photography and or/ video have been published in several journals including Yew, Madhatter Review, Feminist Studies, Bird Dog, How2, Poetry Seen and Red Fez. She has performed her poetry in venues from Maine to Tucson to New York City.
David Groff received his MFA from the University of Iowa Writers Workshop. He also has an MA in English and Expository Writing from the University of Iowa. His two books are poetry are Clay (Trio House Press, 2013) and Theory of Devolution (University of Illinois Press, 2002). He has co-edited the anthologies Who’s Yer Daddy?: Gay Writers Celebrate Their Mentors and Forerunners (University of Wisconsin Press, 2013) and Persistent Voices: Poetry by Writers Lost to AIDS (Alyson, 2010).
Keith Gandal is Professor of English at the City College of New York, with a joint appointment in American Literature and Creative Writing. He received his Ph.D. from University of California, Berkeley. He is the author of five books: four scholarly monographs and a novel. His research has focused on two areas of American studies: literature and poverty, and literature and war. His scholarly books are The Virtues of the Vicious: Jacob Riis, Stephen Crane and the Spectacle of the Slum (Oxford University Press, 1997), Class Representation in Modern Fiction and Film (Palgrave Macmillan, 2007), The Gun and the Pen: Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization (Oxford, 2008), and War Isn’t the Only Hell: A New Reading of World War I American Literature (Johns Hopkins University Press, 2018). The novel, Cleveland Anonymous (North Atlantic Books, 2002), combines a variety of genres, including comedy and mystery. At City College, he has served as MFA director, MA director, deputy chairperson, and chair.
Lyn Di Iorio is working on a suspense novel, The Sound of Falling Darkness, which was shortlisted for the 2015 Faulkner-Wisdom Novel-in-Progress award. Her short novel Outside the Bones (Arte Público Press) won the 2011 Foreword Review Indie Book of the Year Silver Award, was best debut novel on the Latinidad list, a top-five finalist for the 2012 John Gardner Fiction Award, a finalist for the International Latino Book Award, and on Book Riot’s 2016 list of the top 100 works of noir. Her recent short stories have appeared in Review: Literature and Arts of the Americas and New Guard. She has won residencies and fellowships from The Millay Colony for the Arts, the Virginia Center for the Creative Arts, the Vermont Studio Center and Ucross, and was a Patricia Harris Fellow at Stanford University’s Creative Writing Program.
Mikhal Dekel is Professor of English and Comparative Literature at the City College and the CUNY Graduate Center and Director of the Rifkind Center for Humanities and the Arts. She is the recipient of many awards, including fellowships from the National Endowment for the Humanities, the Mellon Foundation and the Lady Davis Foundation. She is the author of Tehran Children: A Holocaust Refugee Odyssey (W. W. Norton 2019), Oedipus in Kishinev (Bialik Institute, 2014), and The Universal Jew: Masculinity, Modernity and the Zionist Moment (Northwestern University Press, 2011). Her articles, translations and blogs have appeared in The Journal of Comparative Literature, English Literary History, Jewish Social Studies, Callaloo, Shofar, Guernica, and Cambridge Literary Review, among many others.
Amir Arian Ahmadi started his writing career in 2000 as a journalist in Iran. In Farsi, he has published two novels Cogwheels and Disappearance of Daniel, a collection of stories (Fragments of a Crime), and a book of nonfiction on the state of Iranian literature in the new millennium Graffiti on the Paper Wall. He also translated from English to Farsi novels by E.L Doctorow, Paul Auster, P.D. James, and Cormac McCarthy. He switched to writing in English in 2012, and has published short stories and essays in The New York Times, The Guardian, London Review of Books, Massachusetts Review, Asymptote, openDemocracy. He earned a Ph.D. in Comparative Literature from the University of Queensland in Australia, and an MFA in creative writing from NYU. 
Salar Abdoh was born in Iran, and splits his time between Tehran and New York City. He is the author of three novels: The Poet Game (Picador), Opium (Faber), and Tehran at Twilight (Akashic Books), as well as the editor of Tehran Noir (Akashic Books). His essays and short stories have appeared in various publications including the New York Times, BOMB, Callaloo, Guernica, and on the BBC. He is the recipient of the NYFA Prize and the National Endowment for the Arts award.
